楼上这个很冷门，呵呵。
313 发表于 2011-12-29 19:43

中文的介绍都找不到，哈哈。


Review
These curious little French cello sonatas, products of the court of Louis XV, fall into an odd space between Baroque and Classical. Composed in 1759, they come from a little-understood period between Rameau and Gossec, though given the enormous changes brewing in French society at the time it's hard to believe that the music should have been aired so rarely. At any rate, the six sonatas were originally composed for bassoon and continuo but were specified as being playable on the cello. All are in three or four short movements. Falling into the province of the king's musique de chambre, the intimate music of his private sphere, they have an almost claustrophobic quality in which competing forces contend for structural supremacy. In the realm of melody they exhibit the idea designated by the word "galant" -- they are packed with melody that sighs and twists and turns and never stops, generating new details even as it seems to have been played out. But this melodic effusion is straitjacketed in by the even pace of the continuo and by the elaborate ornamentation that was so much a part of the French musical tradition -- the melody seems to be pushing at the music's walls. Cellist Kristin von der Goltz, playing a late eighteenth century instrument that's attractive to hear in itself, catches Dard's explicitly stated emphasis on expression. But as Baroque players often do when they venture forward in time (she, gambist Hille Perl, and harpsichordist Christine Schornsheim are all German early music veterans), she lacks a certain lightness that was a given in the taste world of the later eighteenth century. This is nevertheless an intriguing disc that will find a place in many collections simply for the novelty of the repertoire. ~ James Manheim, Rovi

作曲家啥年代的？链接打开后，是维尔拉甘巴。

http://www.answers.com/topic/hille-perl-classical-musician

作曲家啥年代的？链接打开后，是维尔拉甘巴。
313 发表于 2011-12-29 20:00

似乎只有法语的：
http://fr.wikipedia.org/wiki/Antoine_Dard

似乎只有法语的：
yah 发表于 2011-12-29 20:17

用google翻译，大致能看个大概。1734年结婚，什么年代应该清楚。

博凯里尼　27首

Hyperion那张有5首大奏，SONY这套有8首大奏(另有4首大协)。

比尔斯码，当年为他的大无而倾倒。

安东. 克拉夫特，海顿在埃斯泰尔哈济宫廷乐团时的大提琴家。他出身布拉格的酿酒世家，从小学大提琴，本来在布拉格大学攻读哲学文凭，但对音乐的热爱让他最后投身海顿带领下的宫廷乐团。进乐团后他更进一步追随海顿学习作曲，而海顿显然也从克拉夫特身上学到了为大提琴作曲的种种深入知识。两人接触的结果之一就是海顿D大调协奏曲的降生。这首协奏曲在海顿过世后，在近两百年的时间内被误认为克拉夫特的作品，一直到二次世界大战后才因海顿手稿的出土而验明正身。

克拉夫特  4首

晕啊，闻所未闻。长见识。

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印象中，拉的比较快。

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印象中，拉的比较快。
yah 发表于 2011-12-29 21:27

拉的是巴洛克大提琴。